OVERVIEW

No. 42 (In the Alps) could perhaps best be described as a melodrama. It combines many of the subjects that fascinate me: the relationship of text narrative and musical narrative, the history of opera, early cinema, the theatrical practices of the nineteenth century, along with the folk and popular music of the Alpine region.

A girl (the soprano), stranded on top of an un-climbable mountain peak as a young baby, is taught to sing by the mountain animals. Young Bobli lives in the village far below the un-climbable peak. He was born mute and communicates with the world by playing the trumpet. Bobli hears the soprano's song drifting down into the valley. The soprano listens to Bobli's trumpet tunes blown up to her by the wind. They are both enchanted.

The three acts are separated by interludes describing how three animals experience time passing in relation to a musical tempo.

Like any self respecting melodrama the text and music combine to depict or imply a wide ranging theatrical adventure, in this piece starting at the Creation (or the big bang), a lonely existence, scenes of rustic village life, some carpentry, many mountain goats, unrequited love, and ending in a quest destined to fail.  In a live performance the texts are projected on a screen behind the musicians in the style of silent movie intertitles. 

 

Richard Ayres was born in Cornwall (Great Britain) in 1965. In 1986 he followed Morton Feldman’s classes at the Darmstadt and Dartington summer schools, and after this experience decided to make music a full-time occupation. He studied composition at the University of Huddersfield, and postgraduate composition with Louis Andriessen at the Royal Conservatoire in Den Haag, graduating in 1992. He continues to live in the Netherlands, and teaches composition at the Conservatoire in Amsterdam. Ayres music has been performed by many of the major European contemporary music ensembles, and numerous orchestras. He collaborated with the novelist and poet Lavinia Greenlaw on an opera version of Peter Pan, which was premiered by Stuttgart Opera in 2013, and received a new production directed by Keith Warner for the Welsh National Opera and the the Komische Oper Berlin. 

 

Produced by Ostrava Center for New Music in cooperation with The National Moravian-Silesian Theatre.