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David Bazika (1974) studied at the Faculty of Architecture of the Czech Technical University in Prague and the Theatre Faculty of the Academy of Performing Arts in Prague, in the Stage Design Department. He splits his work between television, film, architecture, and stage expositions, with a focus on stage design. He has collaborated on nearly fifty performances, both on large and small stages in Prague, Ostrava, Brno, Olomouc, Pilsen, and elsewhere. |
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Články z webu
Z nouze - ctnost: Glassův sakralizovaný Kafka
(27. 12. 2025)
Pohledem Petra Vebera
(23. 10. 2025)
Téměř filmový zážitek v ostravském kostele. Glassův Proces v české premiéře
(17. 10. 2025)
Proces absurdní, groteskní, tragický i erotický, ale především hudební
(14. 10. 2025)
Glassův Proces v Ostravě podle Kafky jako svět absurdit mezi kostelními zdmi
(12. 10. 2025)
Glassův, Kafkův a Nekvasilův Proces: Pnutí mezi potřebou řádu a vědomím jeho nedosažitelnosti
(11. 10. 2025)
Nezapomenutelný večer s ostravskou operou
(18. 4. 2025)
Slavná fraška Slaměný klobouk jako skutečně komická opera
(16. 4. 2025)
Nino Rota ako operný skladateľ - Florentský slamený klobúk v Ostrave
(18. 3. 2025)
Téměř jako Rossini
(13. 3. 2025)
Popelka ve Dvanáctce. Tradiční příběh v málo známém pojetí baví humorem i vkusnou hudbou
(7. 2. 2025)
Festival NODO jako potřebná, přínosná a emoce vyvolávající přehlídka reflexí složité hudby
(1. 7. 2024)
Začal festival NODO - New Opera Days Ostrava
(28. 6. 2024)
Kreativní prostor pro jedinečná setkání
(17. 6. 2024)
Čertova stěna. Třetí ostravský příspěvek do smetanovského kompletu v Litomyšli
(16. 6. 2024)
Dny nové opery Ostrava uvedou premiéry i fúzi soudobé hudby s akrobacií
(12. 6. 2024)
Vítězný maraton se Smetanou
(21. 5. 2024)
Vraždy, umělé celebrity a pomíjivost slávy. Ostravské Chicago s nadsázkou ukazuje pozlátko i dno společnosti
(1. 3. 2024)
Čertova stěna mezi fantaskním a reálným světem
(19. 12. 2023)
Čertova stěna v Ostravě je inscenována s laskavým nadhledem
(16. 12. 2023)
Hrátky s Trumpem na Ostravských dnech
(3. 9. 2023)
FESTIVAL OSTRAVA - MUSIC OF TODAY. Playing Trump / Hrátky s Trumpem
(1. 3. 2023)
Ostravský úspěch muzikálového hororu
(24. 2. 2023)
Dvě barokní opery v jednom večeru: Nové inscenace mají nevyrovnané šance oslovit diváka
(10. 2. 2023)
Tolik mrtvol na jevišti snad ještě nebylo. Do Ostravy připlul ďábelský lazebník Sweeney Todd
(3. 2. 2023)
Prométheus Luigiho Nona v Trojhalí: A žádný z bohů nebude moci tě o oheň ten už připravit
(1. 7. 2022)
Operní panorama Heleny Havlíkové – Dvakrát Ravel v operních studiích
(21. 2. 2022)
Dítě a kouzla v Divadle 12 nabízí ukrutnou spoustu legrace
(11. 2. 2022)
Štěstí leží vždy tak blízko. Ostravský muzikál Harpagon je lakomec? ho nehledá v penězích
(17. 12. 2021)
ZPRAVODAJ (10/2004)
(1. 10. 2004)
Production team - Season:
| CHICAGO | Set design |
| JESUS CHRIST SUPERSTAR | Set design |
| RUSALKA | Set design |
| SO THIS HAPPENED… | Set design |
| CENDRILLON | Set design |
| CHICAGO | Set design |
| JESUS CHRIST SUPERSTAR | Set design |
| RUSALKA | Set design |
| SO THIS HAPPENED… | Set design |
| TESTOSTERON | Set design |
| THE FLORENTINE STRAW HAT | Set design |
| THE FULL MONTY | Set design |
| THE TRIAL | Set design |
| CENDRILLON | Set design |
| CHICAGO | Set design |
| JESUS CHRIST SUPERSTAR | Set design |
| NOISES OFF | Set design |
| RUSALKA | Set design |
| SWEENEY TODD: THE DEMON BARBER OF FLEET STREET | Set design |
| TESTOSTERON | Set design |
| THE FLORENTINE STRAW HAT | Set design |
| THE FULL MONTY | Set design |
| WEST SIDE STORY | Set design Lighting design |
| CHICAGO | Set design |
| DIDO AND AENEAS | Set design |
| JESUS CHRIST SUPERSTAR | Set design |
| NOISES OFF | Set design |
| SWEENEY TODD: THE DEMON BARBER OF FLEET STREET | Set design |
| TESTOSTERON | Set design |
| THE BALLET OF THE FEMALE INGRATES (Il ballo delle ingrate) | Set design |
| THE DEVIL’S WALL | Set design |
| THE FULL MONTY | Set design |
| WEST SIDE STORY | Set design Lighting design |
| CATS | Set design |
| DIDO AND AENEAS | Set design |
| HARPAGON IS THE MISER? | Set design Lighting design |
| JESUS CHRIST SUPERSTAR | Set design |
| RUSALKA | Set design |
| SOMETHING FOR PEOPLE | Set design |
| SWEENEY TODD: THE DEMON BARBER OF FLEET STREET | Set design |
| TESTOSTERON | Set design |
| THE ASCENSION OF LOJZEK LAPÁČEK FROM SILESIAN OSTRAVA | Set design |
| THE BALLET OF THE FEMALE INGRATES (Il ballo delle ingrate) | Set design |
| THE CHILD AND THE SPELLS (L‘Enfant et les Sortilèges) | Set design Costume designer |
| THE FULL MONTY | Set design |
| THE GOOD DOCTOR | Set design |
| WEST SIDE STORY | Set design Lighting design |
| CATS | Set design |
| DIPLOMACY | Set design |
| EDITH AND MARLENE | Set design |
| HARPAGON IS THE MISER? | Set design Lighting design |
| JESUS CHRIST SUPERSTAR | Set design |
| LE CORSAIRE | Set design |
| RUSALKA | Set design |
| SOMETHING FOR PEOPLE | Set design |
| TESTOSTERON | Set design |
| THE ASCENSION OF LOJZEK LAPÁČEK FROM SILESIAN OSTRAVA | Set design |
| THE CHILD AND THE SPELLS (L‘Enfant et les Sortilèges) | Set design Costume designer |
| THE FULL MONTY | Set design |
| THE GOOD DOCTOR | Set design |
| THE LANTERN | Set design |
| WEDDING | Set design |
| WEST SIDE STORY | Set design Lighting design |
| EDITH AND MARLENE | Set design |
| HIBIKI, HIBIKI, vzhmoť! | Set design |
| NO.50 (The Garden) | Set design |
| RUSALKA | Set design |
| SEX, DRUGS, ROCK & ROLL | Výprava |
| TESTOSTERON | Set design |
| THANK YOU… | Set design |
| THE FULL MONTY | Set design |
| WEDDING | Set design |
| A PERFECT WEDDING | Set design |
| CATS | Set design |
| COLLABORATORS | Set design |
| EDITH AND MARLENE | Set design |
| JESUS CHRIST SUPERSTAR | Set design |
| RUSALKA | Set design |
| SEX, DRUGS, ROCK & ROLL | Výprava |
| THE FOUR-NOTE OPERA | Set design |
| THE FULL MONTY | Set design |
| THE GOOD DOCTOR | Set design |
| THE SCHOOL OF JEALOUSY | Set design |
| WEST SIDE STORY | Set design Lighting design |
| A PERFECT WEDDING | Set design |
| CATS | Set design |
| COLLABORATORS | Set design |
| EDITH AND MARLENE | Set design |
| JESUS CHRIST SUPERSTAR | Set design |
| L2! | Set design |
| MOSCOW → PETUSHKI | Set design Costume designer |
| SEX, DRUGS, ROCK & ROLL | Výprava |
| SWAN LAKE | Set design |
| THE FOUR-NOTE OPERA | Set design |
| THE FULL MONTY | Set design |
| THE PHANTOM OF A MUSICAL - Michael Prostějovský - a concert | Set design |
| THE THREESOME | Set design |
| AN HOUR BEFORE THE WEDDING | Set design |
| EDITH AND MARLENE | Set design |
| HAMLET | Set design |
| HAPRDEN or HAmlet, PRince of DENmark | Set design Costume designer |
| JESUS CHRIST SUPERSTAR | Set design |
| L2! | Set design |
| MOSCOW → PETUSHKI | Set design Costume designer |
| SEX, DRUGS, ROCK & ROLL | Výprava |
| SHAKESPEARE IN LOVE | Set design |
| Song Books | Stage Directors |
| SPANISH FLY | Set design |
| SWAN LAKE | Set design |
| THE FULL MONTY | Set design |
| THE OPERA BALL | Set design |
| THE THREESOME | Set design |
| Thy Kingdom Come | Set design |
| AN HOUR BEFORE THE WEDDING | Set design |
| AT THE STONE TABLE INN | Set design |
| EDITH AND MARLENE | Set design |
| HAMLET | Set design |
| HAPRDEN or HAmlet, PRince of DENmark | Set design Costume designer |
| JESUS CHRIST SUPERSTAR | Set design |
| L2! | Set design |
| MOSCOW → PETUSHKI | Set design Costume designer |
| SHAKESPEARE IN LOVE | Set design |
| SPANISH FLY | Set design |
| SUNSET BOULEVARD | Light designer |
| SWAN LAKE | Set design |
| TEMPEST | Set design |
| THE FULL MONTY | Set design |
| THE GREAT GATSBY | Set design |
| THE LITTLEWOODS | Light designer |
| THE NUTCRACKER | Set design |
| THE OPERA BALL | Set design |
| BAROCCO & CARMINA BURANA | Light designer |
| CUTTING IT SHORT | Set design |
| EDITH AND MARLENE | Set design |
| HAMLET | Set design |
| HAPRDEN or HAmlet, PRince of DENmark | Set design Costume designer |
| IT’S BARBER’S BIRTHDAY!!! | Set design |
| JESUS CHRIST SUPERSTAR | Set design |
| L2! | Set design |
| LA BELLE HÉLÉNE | Set design |
| LONDON CALLING - CONCERT | Light designer |
| MOSCOW → PETUSHKI | Set design Costume designer |
| MOZART GALA | Set design |
| Oresteia | Set design |
| PERFECT DAYS | Set design |
| Protracted Sinuous Movement of a Longitudinal Object | Set design |
| QUO VADIS | Set design |
| SPANISH FLY | Set design |
| SUNSET BOULEVARD | Light designer |
| SWAN LAKE | Set design |
| THE DEVIL’S WALL | Set design |
| THE FULL MONTY | Set design |
| THE GREAT GATSBY | Set design |
| THE LITTLEWOODS | Light designer |
| THE NUTCRACKER | Set design |
| THE OPERA BALL | Set design |
| BAROCCO & CARMINA BURANA | Light designer |
| CUTTING IT SHORT | Set design |
| EDITH AND MARLENE | Set design |
| HOMECOMINGS | Set design Light designer |
| LA BELLE HÉLÉNE | Set design |
| MOSCOW → PETUSHKI | Set design Costume designer |
| PERFECT DAYS | Set design |
| QUO VADIS | Set design |
| SUNSET BOULEVARD | Light designer |
| SWAN LAKE | Set design |
| THE COUSIN FROM NOWHERE | Set design |
| THE DEVIL’S WALL | Set design |
| THE FULL MONTY | Set design |
| THE GREAT GATSBY | Set design |
| THE NUTCRACKER | Set design |
| DER SCHWARZE SCHWAN (The Black Swan) | Set design |
| EDITH AND MARLENE | Set design |
| HOMECOMINGS | Set design Light designer |
| LA BELLE HÉLÉNE | Set design |
| LA WALLY | Set design |
| MOSCOW → PETUSHKI | Set design Costume designer |
| NO NO MIYA | Stage Directors |
| PERFECT DAYS | Set design |
| QUO VADIS | Set design |
| SAJNS FIKŠN | Set design |
| SWAN LAKE | Set design |
| THE DEVIL’S WALL | Set design |
| THE FULL MONTY | Set design |
| THE NUTCRACKER | Set design |
| TRISTAN AND ISOLDE | Set design |
| ARMIDA | Set design |
| DER SCHWARZE SCHWAN (The Black Swan) | Set design |
| FINIAN’S RAINBOW | Set design |
| LA WALLY | Set design |
| LET'S MAKE AN OPERA! - THE LITTLE SWEEP | Set design |
| MOSCOW → PETUSHKI | Set design Costume designer |
| ORPHEUS IN THE UNDERWORLD | Stage setting realization |
| POLISH BLOOD | Set design |
| SAJNS FIKŠN | Set design |
| SWAN LAKE | Set design |
| THE FULL MONTY | Set design |
| THE LADY OF THE CAMELLIAS | Set design |
| THE MACROPULOS CASE | Visual concept |
| THE NUTCRACKER | Set design |
| TRISTAN AND ISOLDE | Set design |
| ARMIDA | Set design |
| END OF CARNIVAL | Set design |
| FINIAN’S RAINBOW | Set design |
| LET'S MAKE AN OPERA! - THE LITTLE SWEEP | Set design |
| MARAT/SADE | Set design |
| MOSCOW → PETUSHKI | Set design Costume designer |
| ORPHEUS IN THE UNDERWORLD | Stage setting realization |
| POLISH BLOOD | Set design |
| THE FULL MONTY | Set design |
| THE LADY OF THE CAMELLIAS | Set design |
| THE MACROPULOS CASE | Visual concept |
| THE NUTCRACKER | Set design |
| END OF CARNIVAL | Set design |
| MOSCOW → PETUSHKI | Set design Costume designer |
| ORPHEUS IN THE UNDERWORLD | Stage setting realization |
| THE FULL MONTY | Set design |
| THE NUTCRACKER | Set design |
| WERTHER | Set design |


